1) This moment was practically written from the first letter of the first chapter. It had to be sweet. It had to be a sweet family moment, and I put my whole heart into it. I studied the proportions to see if it was feasible, and it was, so I did it.
2) I use that one (which you recommended in the first or second chapter of Nyx, by the way), but I think it's also the Italian that makes it difficult. In fact, I often specify he/she in Italian even when it's not necessary in my language. I try to double-check, but I don't always see it (if my English is an A1, that's a lot).
3) What can I say, that little girl always does that, and most of the time Rosi finds her out, but now she's so tired.
4) Wherever he goes, people grow exponentially in height, poor thing. Then Law tried to catch Katakuri out, but Katakuri beat him without having to do anything.
5) I'm glad you liked it enough to read it all in one go. So, Cracker was supposed to be central, I can totally see them as an evil duo, and then they met when Rosi was little, so she was kind of taken under his wing in the chaos. Doflamingo is naturally sadistic to me, but not naturally evil, and even in the canon, he was partly pushed to be that way, just as Rosi was pushed (in the canon) in the opposite direction. So my mind in the story said, "Okay, Doflamingo is basically evil, but is he also an evil brother?" And I decided to work on that basis. Finally, on the subject of Big Mom, I'm not good at writing scenes like that, especially when I also want to convey Katakuri's confusion, so I must have lost my way a little. The conflict was because she was an ally, but she had Katakuri (over whom Big Mom has always had total control) act without her knowledge (by marrying him) after he proved he didn't care for her and resisted her fruit, and having declared herself not a marine but a member of the family, she decides to "keep her" for her usefulness. so there is trust because she knows she would not like the group, but at the same time, there is indirect punishment because she exploits her as much as she can, like in the present where she is making her do EVERYTHING. But in my head, it was more like a sadistic execution in front of all her children initially.
6) They also had surprise entertainment at the wedding.
7) I'm enjoying slowly undermining Doffy's trust in Trebol and the others.
8) Commas and how to use them badly. For each character, I maintain a semi-POV, that is, I speak in the third person but I move around based on their emotions and call the characters as they see them. So I used "wife" towards Rosinante because we're talking from Katakuri's side, I think I put a comma in the wrong place and the translation got messed up, or I may have composed the sentence in a strange way (I love doing these "semi-POVs," so every time it's Law, I use "Cora-san," or with Doflamingo, I stopped using Corazon right after Rosinante told him not to).
9) The second crisis is the loss of the child. By crisis, I don't necessarily mean shocks, but events that test the relationship, and that situation was a bad situation and certainly put them in difficulty, but seeing how Rosi suffered and how alone she was at that moment, Katakuri believes that it is something even more intimate for Rosinante and has the respect for his wife not to mention it. The Diamante scene is more trivial, however. I am dividing the crew into two: Trebol, Diamante, Pica, and Vergo, who "welcomed" Doflamingo and voluntarily excluded Rosinante, and those who joined later and follow Doflamingo directly, so they have no preconceptions about Rosinante. I constructed the scene in a banal way, with Diamante's sole purpose being to make her uncomfortable (typical phrases heard by women who have had children later) and then saying that it was better for her to "have children" instead of getting close to Doflamingo. (But without realizing that he had touched a sore spot, because at that time Rosi had lost a child, which Doflamingo knows). On the other hand, there is Senor Pink, who has no preconceptions about Rosinante and therefore still shows her a form of respect despite her being an enemy, exalting that behavior in Doflamingo's eyes.
1- I'm glad you put your heart and soul into that scene, because it turned out amazing and adorable.
2- I can help you if you want, in my native language I also don't always need to use pronouns, I can leave the pronoun implied, so when I translate, there are always some mistakes, but I can help, because I'm usually very attentive to these details, it's like I said, I'm strange with English, I read, I know what I'm reading, but when it comes to writing, I'm just not able to write long sentences or texts, but I can spot small mistakes and that helps me a lot. So, I can help you if you want ♥️.
4- Law, I don't think it's even worth trying 😂😂😂
5- Ahh, thank you so much for explaining everything, I always admire your patience with me 😂😂. Big Mom is a BITCH!
6- 👁️👄👁️
7- And I'm loving seeing it 👁️👄👁️
8- Hmmmmokk, I was confused because when you write something like that (or Google Translate writes something like that) with the “'” it looks like it did here “Cracker's wife,” meaning that the “'s” there made Rosinante in this sentence now Cracker's wife.
9- Mr. Pink isn't horrible despite having mistakes in his complicated story, so I think it makes sense for him to side with Rosi, “Phrases heard by women who had children late” is, unfortunately, real and now I feel stupid, of course the second crisis was the loss of the first child, how did I not make that connection???? My God, I'm really not doing very well 😂😂.
4)Well, come on, Katakuri, you can see that Law still cares.
5)Don't worry, I obviously wasn't clear either. Yes, Big Mom is a bitch.
8)Commas, so small, so catastrophic. Like Mango.
9)Yes, he seemed to me to be the right man to highlight the contrast. Come on, don't think you're stupid, especially because it's a type of context that can be interpreted in many ways and seen in many different lights.
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Arty_Party on Chapter 6 Thu 26 Feb 2026 01:27PM UTC
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