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Summary
Kara jamás llega a la Tierra tras su primo. Accidente cósmico y salto dimensional. Menudo follón.
No se trata de redención, ni de amor cura todo. Homelander es un cabrón sin redención, pero que pasa si todo eso se dirige de forma "positiva" (yandere, tsundere...) a conseguir lo que quiere. Porque si no es mas cuidadoso y maquiavélico (estilo Albert Wesker) sabe que se le escapa de entre los dedos sin posibilidad de impedirlo.
Homelander de 21 (que aún puede aprender) conoce a Kara de 12. Ups, obsesión asegurada. Y aún no es una bestia sin control, aunque Kara puede repartir para rato (limitada por su brújula moral). Lo dicho se intentó que John evolucionara a un estilo más manipulador, prudente, frío, despiadado y político (WESKER es el amo). Así que ya me diréis. Avisaré en Notes cuando dejo de retocar. -
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Summary
Waking up in a high-rise apartment that most certainly didn't belong to her, with no memory of how she got there, what she is pretty sure is her own blood surrounding her, Ashley Aguilera does the only sane thing.
She calls 911.
She really should have realized with ‘The Seven’ plastered everywhere, exactly what had occurred to her. In her defense, thinking it was simply promotional material for the final season of ‘The Boys’ was technically the saner option than waking up in the amnesic body of a personal assistant in a fictional world of Super-Power Nazis.
Series
- Part 21 of The Redhead Conspiracy
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put that thing back where it came from, or so help me! by oyavoyage
Fandoms: A Knight of the Seven Kingdoms (TV)
07 May 2026
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Summary
you find yourself in a world you thought was fictional (completely randomly), wake the dragon, and have no idea if you can survive to see another day.
or, put more clearly, reader is a modern university student who gets isekai'd to westeros, and wakes up in the worst place possible.
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Summary
So here's the thing about getting hit by a truck: you're supposed to wake up in a hot anime boy's harem or whatever. Not in the body of a B-list superhero from a show you only half-paid attention to while eating takeout.
But no. She's in The Boys universe now. Stuck as Starlight. Surrounded by sociopaths in spandex. And her only goal is to not get lasered into fine red mist by Evil Superman with mommy issues.
Simple, right? Just stay quiet, don't draw attention, and definitely don't say anything that makes Homelander like her.
Except she panics. And overshares. And accidentally says something about how lonely he must be, looking down at everyone, never having anyone who can just stand next to him.
And now he's looking at her like she's the first person who's ever seen him.
She didn't want this. She didn't ask for this. She just wants to go back to her apartment and her shitty Wi-Fi and her complete lack of mortal peril.
But Homelander doesn't let go of things he wants.
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Wreckage by AngelSelene, AngelSelene_Archived
Fandom Criminal Minds (US TV), Fullmetal Alchemist - All Media Types, Fullmetal Alchemist: Brotherhood & Manga
10 Dec 2023
Summary
Ed and Roy end up in the Criminal Minds world, trying to make their way as best they can, but their secrets can't stay hidden forever.
Title of Series from Nikita Gill's "Wreckage"
- Words:
- 244,281
- Works:
- 10
- Bookmarks:
- 1,436
Bookmarked by RatPlaPla
13 May 2026
Bookmarker's Collections:
Bookmarker's Notes
Full Metal Alchemist
Criminal Minds
EdxRoy

