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okay so are the curtains blue for a reason or what (this is a metaphor) by sunflower_J
Fandoms: Stranger Things (TV 2016)
28 Dec 2025
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Summary
Now, someone walked into the room. A boy, awkwardly standing at the side of his bed, looking over him worriedly. His hair was brown and scruffy, and he had big baby doe eyes and a yellow-and-blue horizontally-striped shirt like a cartoon character. The window was lighting him up like he was important to Mike’s narrative. The curtains are blue, thought Mike, this boy is light. I love metaphors. Maybe he was high on the pain meds. Upon seeing him, Mike felt a great affection, a great peace. Plus, he had long eyelashes. Mike almost giggled to himself. He was definitely a little high.
“Hi.” breathed Mike.
“Hi.” he said, hesitating.
“We’re friends?” Mike asked hopefully.
Or: During the Party's final battle with Vecna, Mike is gravely injured and loses his memories. He wakes up in a hospital only remembering a handful of inconsequential little things, like how much he loves a boy who seems like light.
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Summary
Mike opens his mouth, then closes it. Too many questions crowded in the back of his throat. What happened to you this week? What are you hiding? Why didn’t you call me? None of them make it out.
Lucas, steadier, breaks the silence.
“Whose car was that?”
It takes Will a moment to answer. He blinks at the wall behind Lucas like he’s trying to rewind something in his head.
“I borrowed it,” he says finally.
Lucas tilts his head. “Really? From who?”
When Will Byers arrives at the WSQK radio station in a vandalized car none of them recognize, the walls he’s built start to crack. What slips out is a secret he’s been hiding in plain sight.
Series
- Part 1 of Under Pressure
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Summary
Mike's life is split in three categories; the life he should have, the life he wants to have, and the life he has to have. Currently, he's living in limbo between all three; he'll never have that white-picket fence and suburban wife, not when the only girl he could try to love has left him, and while he's finding it harder to live the life he has to have— the life where he hides himself so deep, not even the people he loves know who he is— he'll never get the life he wants, either.
Limbo sucks, to put it simply. He's so close to what he wants (which is Will, no matter how hard he tries to shove it down) but he just can't push past that barrier and talk to Will, not when everything he does always feels wrong.
But, maybe, Mike might come to learn that what he wants isn’t so bad, after all.
(Or; Mike's struggle with his internalized homophobia— among other things, including the concept of free will, Robin Buckley's mildly terrifying presence, and wanting things Mike's sure he doesn't deserve— structured around the five stages of grief. You can mourn a life you'll never live, and you can mourn someone you haven't actually lost.)